with an itemized bill and Polaroid photos detailing the damage, he'd archly dismissed them as "Obvious fakes, the damage was far, far worse than that!" Shirley did not believe that Thompson was either an alcoholic or a hopeless problem drinker, but rather that he drank because it was expected of him: he was living up to his legend.
Ah, well, she thought; I guess it's a kind of immortality.
She turned, looking over her shoulder for the Jesuit who had smiled. He was walking in the distance, despondent, head lowered, a lone black cloud in search of the rain.
She had never liked priests. So assured. So secure. And yet this one...
"All ready, Shirl?" Thompson.
"Yeah, ready."
"All right, absolute quiet!" The assistant director.
"Roll the film," ordered John.
"Speed."
"Now action!"
Shirley ran up the steps while extras cheered and Thompson watched her, wondering what was on her mind. She'd given up the arguments far too quickly. He turned a significant look to the dialogue coach, who padded up to him dutifully and proffered his open script like an aging altar boy the missal to his priest at solemn Mass.
They worked with intermittent sun. By four, the overcast of roiling clouds was thick in the sky, and the assistant director dismissed the company for the day.
Shirley walked homeward. She was tired. At the corner
Subscrever:
Enviar feedback (Atom)

Sem comentários:
Enviar um comentário